↑ Amuzegar, The Dynamics of the Iranian Revolution, (1991), pp. 4, 9–12
↑ Narrative of Awakening : A Look at Imam Khomeini's Ideal, Scientific and Political Biography from Birth to Ascension by Hamid Ansari, Institute for Compilation and Publication of the Works of Imam Khomeini, International Affairs Division, [no date], p. 163
↑ British Museum explanatory notes, "Cyrus Cylinder": "For almost 100 years the cylinder was regarded as ancient Mesopotamian propaganda. This changed in 1971 when the Shah of Iran used it as a central image in his own propaganda celebrating 2500 years of Iranian monarchy. In Iran, the cylinder has appeared on coins, banknotes and stamps. Despite being a Babylonian document it has become part of Iran's cultural identity."
↑ Neil MacGregor, "The whole world in our hands", in Art and Cultural Heritage: Law, Policy, and Practice, p. 383–4, ed. Barbara T. Hoffman. Cambridge University Press, 2006. ISBN0-521-85764-3
↑ Steele, Robert. The Shah's Imperial Celebrations of 1971.
↑ Steele, Robert (2020). The Shah's Imperial Celebrations of 1971_ Nationalism, Culture and Politics in Late Pahlavi Iran. loomsbury Academic _ I.B. Tauris. p. 144.
↑ Naficy, Hamid (2003). "Iranian Cinema". ใน Oliver Leaman (บ.ก.). Companion Encyclopedia of Middle Eastern and North African Film. Routledge. p. 140. ISBN9781134662524.
